​THE ART PACK Christopher & Helen, Frayling Ron van der Meer
Who can resist a book about the history of art with pop-ups!!

PRINTS AND THEIR MAKERS Phil Sanders
A great introduction to contemporary printmakers and their techniques.

PICTURE THIS: HOW PICTURES WORK Molly Bang
How placement of shape, line, color, and placement evokes emotions. A must have for picture book creators!

QUICK DRAW PEOPLE: STEP-BY-STEP MASTERPIECES Sarah Wimperis
Before Instagram reels showed an artst's process from start to finish, this book did it.

LEARNING BY HEART: TEACHINGS TO FREE THE CREATIVE SPIRIT
Corita Kent, Jan Steward
Easy and creative assignments and exercises. "There's only make," Corita Kent.

BEGINNING DRAWING ATELIER: AN INSTRUCTIONAL SKETCHBOOK Juliette Aristides
Sketch right inside this book. Touchy-feely paper and cover.

INK: DO MORE ART Bridget Davies
Tons of cool ink techniques and its unpredictable nature.

PAINTING WITH MIXED MEDIA Paula Guhin, Geri Greenman
Media, tools, substrates, and techniques. This book has it all!

ALTERED BOOKS WORKSHOP Bev Brazelton
Messin' up old books to make new books.

ENCAUSTIC WORKSHOP Patricia Baldwin Seggebruch
I don't work with wax, but this book makes me want to learn. The beautiful textures serve as inspiration for other media as well.

COVER TO COVER: CREATIVE TECHNIQUES FOR MAKING BEAUTIFUL BOOKS, JOURNALS, & ALBUMS Shereen LaPlantz
Tons of book binding techniques!

PAINT MOJO A MIXED MEDIA WORKSHOP: CREATIVE LAYERING TECHNIQUES FOR PERSONAL EXPRESSION Tracy Verdugo
Exercises and examples to inspire. This artist is a great teacher as well.

SLOW STITCH: MINDFUL AND CONTEMPLATIVE TEXTILE ART Claire Wellesley-Smith
I purchased this book for the feel of the fabric cover. Another touchy-feely. Oh, and it has great photos too.

DISRUPTED REALISM: PAINTINGS FOR A DISTRACTED WORLD John Seed
Features artist who distort realistic images.

PROJECT CALM: MINDFULNESS THROUGH MAKING
​A quarterly magazine to inspire creativity. Look, read, make, enjoy the freebies and pullouts. 

CARTOONING: PHILOSOPHY AND PRACTICE Ian Brunetti
A guided, fifteen-week course in cartooning.

ART BEFORE BREAKFAST: A ZILLION WAYS TO BE MORE CREATIVE NO MATTER HOW BUSY YOU ARE Danny Gregory
Drawing practice, ten to fifteen minutes a day.

READ THIS IF YOU WANT TO TAKE GREAT PHOTOGRAPHS Henry Carroll
An impulse buy from a gift shop, but it offers super quick, easy to read and understand photography tips for the less knowledgeable, like me.

STEAL LIKE AN ARTIST: 10 THINGS NOBODY TOLD YOU ABOUT BEING CREATIVE
Austin Kleon
A super quick read. Read it when you head keeps saying, "I can't ..."

DRAWING LAB FOR MIXED MEDIA ARTISTS: 52 CREATIVE EXERCISES TO MAKE DRAWING FUN Carla Sonheim
Super fun and creative exercises! And I love this artist's work.

THE BORDER TRILOGY Suzy Lee
My absolute favorite book for picture book creators.  This artist offers an in-depth, analytical study into the artistic choices she made for the books, MIRROR, WAVE, and SHADOW. 

DESIGN IS STORYTELLING Ellen Lupton
Everything tells a story. This book shows you how with tons of graphics.

FECK PERFUCTION: DANGEROUS IDEAS ON THE BUSINESS OF LIFE James Vicotore
I throw this one in here for any creative who gets too much in their head. Me.

GYPSY: A WORLD OF COLOUR & INTERIORS Sibella Court
Beautiful book #1. You'll just want to look and savor, maybe redecorate too. A great book for finding color palettes.

ETCETERA ETC. CREATING BEAUTIFUL INTERIORS WITH THE THINGS YOU LOVE Sibella Court
Beautiful book #2. Stylish photographs. Tons of muted colors. Reads like a journal.

CUT PAPER PICTURES Clover Robin
Even if you're not into cutting paper, working with shapes helps develop the muscle memory for drawing.

ART SCHOOL: A COMPLETE PAINTER'S COURSE Halyn Publishing Group (Editor)
Looks like a textbook. Reads easy. Very comprehensive. It has just about any painting technique imaginable. Great reference book for beginning painters.

Great things happen when we begin to hold ourselves accountable for the things we have in life and what we want. We stop blaming others and life circumstances for standing in the way of our dreams. We realize that successes come from the work we put into it. And we discover a bit more about ourselves. The scary part is, when we hold ourselves accountable and move forward (okay, there might be setbacks), we might get what we want!​

But that doesn't mean we can't have a little help along the way. Enter an accountability partner or someone besides ourselves to whom we verbalize intentions and check-in. This person listens to our goals, provides support, and shares theirs as well. 
 
​An accountability partner can be helpful in any area. Maybe you are an entrepreneur, an artist, a teacher, a doctor, or a student! You might even be working on personal goals. Are you trying a healthier lifestyle, becoming a new mom, or changing careers? Think of your partner as a one-person support group giving you a gentle nudge to get it done.

Consider the scenario. Somewhere inside your head, there's a whisper, I'm going to write a children's book, I'm going to run five miles tomorrow, or I'm going to apply for three jobs this week. But the self-doubt chatter sets in, the series you're binging temps you to watch, or the pile of junk on the desk begs you to clean up. The hopeful whisper gets squashed! 
 
If we're a bit of a self-starter, we do take action. Yes! I came up with an idea for a book. Whew! I got in a mile. Or, Well, I applied for one job. Baby steps are important, right? Yes. 
 
But what happens when you verbalize goals to another person? Then, there are two to share an excuse or celebrate a win. This is not to say that there won't be times that you won't achieve a goal we set for ourselves. The point is that it becomes a habit. And more often than not, we do follow through.
 
For eight months, I've been meeting once a week with my partner, setting goals, sharing experiences, and checking in about industry-related frustrations and successes. The value in this practice is greater than what meets the eye. 
 
Yes, the goal-setting helps keep me moving forward. Yes, the follow-through keeps me disciplined. And, yes, it is helpful to chat with someone working in the same industry to exchange ideas, get help, and get inspired. 
 
But there have been unexpected benefits I have found by checking in weekly. I discovered that I am productive even when I think I am not. There are times when I beat myself up about one thing that I did not complete. However, when I look back at my list of goals for the week, I realize how much I did accomplish!
 
I also discovered what I like to do, what feels like a chore, and what realistically I can schedule in a week. I have since reevaluated and restructured my tasks to fit my needs and wants. 
 
Another unexpected benefit is connecting and being inspired by like-minded people. I am encouraged by my partner's optimistic outlook, drive to succeed, and ability to manifest opportunities for herself. Like myself, she is an educator and a children's book author. She is also an inspirational speaker and a true go-getter! Check out Shannon Anderson, my accountability partner, and her new book, I LOVE STRAWBERRIES!
 
Accountability Partner Checklist

1. Look around in classes, social media, work, or friend circles. Who is doing what you are doing or what you want to be doing? Reach out to this person and ask if they'd consider working with you. This sounds super scary. But look at it this way, at worst, they will say no, but they might say yes!! If they say no, look around again and repeat! You have nothing to lose and tons to gain!
2. Set a date and time to meet through a video format or in-person every week. Try to stick to the same time. This develops a pattern of routine, which is essential for consistency. When that time doesn't work for you, try to find another time during the same day. Sometimes it will be necessary to change the day, and that's okay. Allow flexibility in scheduling when life intervenes!
3. Decide who will call or send a link. If meeting in person, decide where to meet every week.
4. Review goals from the last week.
5. Set goals for the new week.
6. Keep the meeting 30 minutes max! Short and sweet! Discuss setbacks, insights, and discoveries. And definitely, celebrate successes! 

With just a few weeks left in 2021, my mind goes to reflection and exploration. The launch of my book pushed me to explore who I am, who I want to be, and how I want to spend my days. Maybe something in your life is challenging you in the same way. As a writer, it is easy to get in a rut. But this idea of getting stuck happens in everyday life as well; stuck in a 9-5 job that might not be your passion or bound by routines that seem to leave no time for the ideas that ping pong in your head. We put up imaginary blocks that we sometimes call limitations and prevent us from walking the walk of our dreams.

I spent the last month on break from my writing and illustrating classes to explore new places in my life. Some might call this a waste of time, but I consider exploration a worthwhile pursuit:

1. It gives my mind a break from my rut.
2. Trying something new opens up a new perspective.
3. It's never too late to learn something new.

So join me as I share my latest explorations and ways that you can explore in the last few weeks of December, even during the holidays!

Fifteen years after I began writing and five years after actively searching for an agent, I landed at Red Fox Literary and am thrilled to announce that I am now represented by Sara Stephens! This is a dream come true for me. While there is no cookie-cutter method to this process, this list represents the strategies that worked for me.

First, take a look at my path to acquiring an agent breakdown. 

84 agent submissions
15 years writing
5 years subbing to agents
10 different manuscripts/12 if you count the major rewrites
6 nice rejections with helpful feedback
5 requests for more work
4 subs to agents at my current agency
3 oopsies (name snafus and misread guidelines - it does happen!)
2 calls
1 referral 
1 OFFER!

I hope this is encouraging! Hang in there and keep moving forward!
​

1. RESEARCH AGENTS
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Stay on top of which agents are open to submissions the genre you write by checking out sites such as Query Tracker, MSWL, agency websites, and agent interviews. Sometimes there are nuggets of information in interviews that are not readily available anywhere else. I also subscribed to professional magazines such as Publishers Weekly and Publishers Marketplace to track which agents were making deals regularly. 




​2. STUDY AND PRACTICE HOW TO WRITE A PITCH

There are many samples online! Seek out the ones you like, study how the author crafted their sentences and emulate them using your own words. I recently began using a new formula based on advice from another agent (the name escapes me). It goes like this: 

Character is X until Y which leads to Z.

I like this model because if I can fit my pitch into one or two sentences, it helps me leave out unnecessary words and zero in on the theme of my story. Here is an example of my pitch that caught the attention of my agency. 

As Susumu begrudgingly learns the secrets of koji-making, the magic ingredient in miso, mounds of rice capture his imagination and take him to play in the snowy mountains. But the demanding process works its magic in other ways, creating a delicious transformation between Papa and Susumu—full of umami! 

Don't forget to show the voice of your manuscript when writing your pitch!


3. STUDY AND PRACTICE HOW TO WRITE A QUERY

Yes, they matter to some agents. Unfortunately, we don't know which agents skip the first page and go right to the manuscript. Again, use a mentor text. Find one online that you think sounds good. Study. What did the author write about in the first, second, and third paragraph? I follow a format similar to this:

Paragraph 1: Include one or two sentences about how you became aware of the agent, essential details such as title, genre, word count, and intrigue the agent with comps. 
Paragraph 2: The pitch.
Paragraph 3: Bio.
​
Look at how the author of your mentor query letter crafted their sentences. Vary sentence structure. Trim any words that don't matter - just like you do with your picture book manuscripts! When writing comps, include why you chose them and what inspired your manuscript. State why your story matters. Here is how I wrote out my comps and inspiration. And don't forget to keep it as concise as you can.

Children ages 4-8 who enjoy the relationship in Drawn Together (Le), the imagination in The Paper Kingdom (Ku), and the world-building in A Different Pond (Phi), might like this story. STEM backmatter (170 words) is included for kids interested in science. Research into my mother’s youth working for her father in Japan opened up a conversation about the process of miso-making and inspired this manuscript. 

Some time has passed since I wrote this paragraph, and I still see ways to improve it. Always revising; a writer's work is never done! ;)


3. JUMP RIGHT IN

This suggestion may be controversial. But I believe that you can't wait forever to test the waters. It's like having a baby - you never feel quite ready. I think it's okay to start submitting after you've polished your manuscript. Chances are- and we've all been there - we hit that send button, and a few days later, we realize the manuscript wasn't as polished as it could be, and the query letter could use improvement. 
That's okay. It is part of the process. Next time you will have knowledge you didn't have the first time. And so it goes ...​


4. SUBMIT AND FORGET

I am not a fan of nudging, but some writers do. Some agents say it's okay to nudge, but I didn't do this unless I had a reason. (a publishing deal) I found the best method for me was to keep looking at what I should be doing next. 


5 CREATE A SPREADSHEET OF AGENT CONTACTS

This is a very important step. You want to be organized and keep a list of who you submitted to, complete with dates, agency info, and notes if you do or do not want to sub to particular agents in the future. Sometimes an agent may not respond to the manuscript you submitted, but they will invite you to submit to them in the future. You will want to document this information!


6. ACCEPT OPPORTUNITIES

Attend conferences! Now that many are happening on Zoom, targeting the ones that will benefit you is easy. Research the agents that will be attending. Do they seem like a good fit for your manuscript? Are they usually closed to submissions but will allow conference attendees to submit for a period of time? Are they offering critiques? Take the opportunities to get your work seen!

Participate in pitch events! You never know which agents might be lurking on Twitter and will want your story. Some of the popular events are #pbpitch, #pitmad, and #dvpitch. 


8 JOIN MULTIPLE CRITIQUE GROUPS AND POLISH THREE MANUSCRIPTS

Life gets busy as you get close to representation. You should have three; ideally, four manuscripts polished in the event an agent asks to see more work - and they will! At this point, you will need more than one critique group. Having four stories in rotation with constant revisions will require more eyes on them. You also want fresh eyes to read your stories and may need a quick turnaround for the agent. Seek out other groups. If you can't find one, consider private groups such as 12x12 or Sub It Club Critique Partner Matchup to get quick feedback.


9 BE PROFESSIONAL, AND DON'T LET MISTAKES SLOW YOU DOWN

You will hear that the agenting/publishing industry is a subjective business. This is absolutely true. Rejection brings up insecurities and feelings of inadequacy. Do your best to scream your disappointments in the pillow, not online or to the agent. Maintain public composure and professionalism! Online tantrums will land you in a long timeout! 

When making a submission mistake, send a quick apology and/or ignore it. There usually is nothing you can do about it. Given a few months, while you're still fretting about it, they will have forgotten. So, learn from it and move forward.


10 DON'T GIVE UP!

If you need encouragement, refer back to my path to acquiring an agent breakdown at the beginning of this post. You will get rejections, lots of them. But you won't get an agent if you don't try. So if you want it, don't give up! I wish you success on your path to acquiring an agent!

Would you please comment below if this post was helpful or if you have a question? 

Every writer's path to publication is different, but that doesn't stop the questions from being asked. "How long did it take from your first draft to publication?" "How long did it take for the editor to get back to you?" "How long did it take the publisher to find an illustrator." 

If you've been following this blog, you have read about my path. Now I have organized the important dates into a timeline. I consider my acquisition and the production of THE STAR FESTIVAL to be fast comparatively speaking in the publishing world. I've heard of books that had faster turnarounds and books that took years to make. This timeline serves as a reference for the curious. It is not meant to be the standard. If you have any questions, please feel free to ask in the comments section!

​​
​The piece of writing below is a set of rules by Corita Kent, also known as Sister Corita. I was turned on to her work by a distant cousin, unknown to me until recently, who is the daughter of Henry and Mona Lovins of the now historic Hollywood Art Center School. 

I became fascinated with Sister Corita because of the dichotomy that she represents, a nun and a creative. I'm not religious, and what little I do know about nuns doesn't usually include the word "artist." Corita is known for her 1985 USPS "Love" stamp. In addition, she created pop art, silk-screening advertisements juxtaposed with verse to bring awareness to social issues. Equally important, she worked with students at the Immaculate Heart College Art Center in the 50's and 60's, encouraging them to play, see the world from a different perspective, and create. 

Corita's rules remind me that everything is an experiment. I hope you get some value from her list too. Be sure to read to the very end!

In 2018, I traveled with my daughter and husband, whose musical journey took us to wine country and then to England. As I celebrated his successes that year, I think about the experiences along the way that made this trip memorable, the awe-inspiring walk around Stonehenge, the local pizzeria in Notting Hill (Yes, we did eat pizza in England!), and the resonating performance of my husband and his band in the halls of the Barbican.
​
While I was there, I received a bit of good news from the SCBWI (Society of Children's Books, Writers, and Illustrators). They honored my manuscript as runner-up for the Sue Alexander Grant, a prestigious award given by the organization. But there were other achievements and failures that year - all worthwhile. 


These included: 

A mentorship that I did not get, but I gained practice in writing cover letters. 

A course with the Lyrical Language Lab, a rhyming class that helped me with rhythm in my prose writing.

Reaching out to people I didn't even know for extra critiques and made new friends in the writing community.

And writing a new chapter book turned graphic novel, which has gone nowhere except to hone my character-building skills. 
I can't discern which of these stepping stones that year made the biggest impact on my overall goal of getting traditionally published, but I do know, collectively, they all mattered.


In the moments I felt low, I asked myself this question and tried to put my thoughts into this perspective.

If I were published, what would I be doing right now? 
The answer. "The same thing I am doing right now--
writing!


TAKE AWAY:
Failure: def. Disguised success.
Set goals, big and small.
Enjoy the journey. 


What goals have you set for yourself this week? Did you have any disguised successes? (Personal goals accepted! ❤)
Please share a comment, and celebrate!


Click here to read past posts.

This might be the shortest post ever, but 2017 was packed full of life experiences,  marrying my now husband and moving my mom more than a thousand miles across states, into my home, right after my honeymoon! Yes, I do have a husband with a big heart! There was some writing sprinkled in there too, but I had my priorities in order! 

Fun fact: My mom later inspired my book, The Star Festival!